Entre palhetas de raspado curto e longo: estratégia para a performance e aprimoramento musical do oboista

Abstract

This article presents in its scope a case study that is intrinsically related to the author's professional performance, addressing the simultaneous professional use of the two major aspects of oboe reed scraping, in order to facilitate and make viable the routine of studies and performances in the different contexts of performance. The objective of this study was to concisely report aspects of performance based on reflection and experience of the simultaneous use of reeds, and, specifically, to bring to light experiences that corroborate the selection of a particular reed for a specific performance, in order to exemplify whether different repertoires act directly to determine the selection of a reed, and finally, to point out characteristics of this practice that bring benefits and disadvantages. To achieve these results, it was essential to use a case study and experience report methodology that took into account a bibliographic review, with the aim of delving deeper into the topic, serving as a guide in the careful review of the practical and reflective aspects to be reported in the performance diaries. After analyzing the data collected in the presentations, it was possible to confirm that the simultaneous use, in fact, had a beneficial influence on the musical performance, pointing to the use of the best available pick among both scrapings, even though within the same slope one was scraped that stood out from the others.