https://repositorio.ufba.br/handle/ri/2116 Mon, 04 May 2026 13:20:14 GMT 2026-05-04T13:20:14Z https://repositorio.ufba.br/handle/ri/44371 Título: A Praça da (Nova) República: travestis, homossexuais e o “povo paraense” no Diário do Pará (1982-1989) Autor(es): Oliveira, Fabrício Ferreira Santos de Primeiro Orientador: Pereira, Ana Carolina Barbosa Abstract: The purpose of this research is to examine the representations of travestis and homosexuals who frequented Praça da República in Belem do Pará between 1982 and 1989. We use the newspaper Diário do Pará as our primary source. This study investigates how these groups were portrayed as a "threat" to society, which was addressed through police operations such as the "Purge of Addicts" (Expurgo dos Viciados), also known as the "Gay Power Crackdown Operation", coordinated by the State and the press. Our goal is to analyze the narrative constructions in these news reports, focusing on the strategic use of the term "the people" to justify hygienist measures. These measures intersected with issues of race, class, gender, profession, and sexuality, which contributed to the implementation of policies aimed at the marginalization of these groups. The term "New Republic" (Nova República) refers not only to the emergence of democratic governance in Brazil but also to its complex relationship with homosexuals and travestis, as well as to the tourist attractions in Belém that both locals and visitors frequented. Therefore, our investigation relies on historical press reports from that era while also engaging with cultural social history, as well as studies of gender and sexuality, to deepen our understanding of this issue. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Mon, 25 Aug 2025 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44371 2025-08-25T00:00:00Z https://repositorio.ufba.br/handle/ri/44340 Título: “Meu destino eu mesma traço”: uma análise das trajetórias artísticas de Cátia de França e Elba Ramalho (1979-1985) Autor(es): Santos, Davi Miguel de Souza Primeiro Orientador: Moura, Milton Araújo Abstract: This study aims to understand the socio-historical conditions under which the Paraíba-born artists Cátia de França and Elba Ramalho pursued entry into the Brazilian phonographic market and the construction of success within this cultural sphere. Originating from a similar context in Paraíba, both artists, through migration, sought to assert their desires and dreams of building successful artistic and professional paths. They did so in a phonographic market permeated by racial, gender-based and regional inequalities. Their differences, as well as the ways in which each related to the artistic field, may explain why they achieved such distinct outcomes in their careers, even though thay shared points of intersection highlighted by the research. By focusing on the phonographic market, this study examines the period from 1979, the year of both artists’ recording debuts, to 1985, aiming to understand the disputes they faced in order to remain in the industry and build success and stability in an environment marked by competition and inequality. Thus, though the comparison of hemerographic and discographic sources, the trajectories og Cátia de França e Elba Ramalho will be reconstructed, from their births in Paraíba to their entry into the phonographic market in Rio de Janeiro. The theoretical framework of this research draws on key authors in the fields of Social History and Popular Music, as well as theorists from Cutural Studies, Feminist Studies and ethnic-racial relations. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Wed, 04 Feb 2026 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44340 2026-02-04T00:00:00Z https://repositorio.ufba.br/handle/ri/44339 Título: Não se nasce mulher criminosa, torna-se: Bahia (1850-1888) Autor(es): Teixeira, Milena Pinillos Prisco Primeiro Orientador: Valim, Patrícia Abstract: This thesis demonstrates, through an extensive analysis of various archival collections and documentary typologies, with an emphasis on police and prison records, how the Brazilian State, within the context of the disintegration of the slave system, criminalized practices and behaviors based on criteria of gender, race, class, and nationality. It analyzes the transformation of women into criminals through the categorization of identities and behaviors, placing them under a permanent state of suspicion; that is, the potential harm they were perceived to represent to the functioning of an ordered society. This study argues that the woman under suspicion was produced through exclusion, as a result of an insidious policy of criminalization and incarceration for purportedly corrective purposes, functioning as the counterpart to the omission of skin color in the Constitutional Charter as a requirement for the formal exercise of citizenship. Throughout the period studied, suspicion incorporated other criteria beyond color as a basis for criminalization, in a context in which the population of color was becoming predominantly free, thus consolidating itself as an instrument for the administration of liberty, defining its conditions through the necessity of correction. In this process, figures such as the disorderly, the disobedient, the fugitive, the drunkard, the offender of public morality, and the alienated became fundamental categories of repression and central characters in the history of Bahia in the second half of the 19th century. The female body, historically viewed with suspicion, became even more visible, transforming into a privileged object of political, medical, and legal discourses that reiterated the need to control it as a social and moral imperative. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese Wed, 11 Mar 2026 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44339 2026-03-11T00:00:00Z https://repositorio.ufba.br/handle/ri/44322 Título: Entre a adesão e a acomodação: o posicionamento editorial do jornal A Tarde do golpe civil-militar ao AI-5 (1964–1968) Autor(es): Souza, Ana Carolina Rodrigues dos Santos Primeiro Orientador: Brito, Antônio Maurício Freitas Abstract: This dissertation analyzes the editorial stance of the influential Bahian newspaper A Tarde between the immediate aftermath of the 1964 coup and the promulgation of Institutional Act No. 5 in 1968, through an analysis of its editorials, seeking to understand the transformations in its discourse in the context of the consolidation of the civil-military dictatorship. To this end, it examines the newspaper’s editorial positioning during the period extending from the post-coup moment of 1964 to the 1965 state elections, identifying how the periodical interpreted the new regime and expressed expectations regarding the restoration of democratic normalcy. It then analyzes A Tarde’s reaction to the authoritarian measures implemented between 1965 and 1966, especially in response to Institutional Act No. 2, the 1967 Constitution, and the Press Law, highlighting signs of discontent and opposition to the hardening of the regime and to the Castello Branco government. Finally, the dissertation investigates the newspaper’s discourse during the Costa e Silva administration (1967–1968), observing its interpretations of the new president, social mobilizations—particularly the student movement—and the ways in which the periodical reacted to the intensification of repression and the political closure that culminated in Institutional Act No. 5. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Sat, 11 Feb 0002 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44322 0002-02-11T00:00:00Z