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    <link>https://repositorio.ufba.br/handle/ri/41436</link>
    <description />
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    <dc:date>2026-04-17T13:56:42Z</dc:date>
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  <item rdf:about="https://repositorio.ufba.br/handle/ri/42781">
    <title>Microgeia</title>
    <link>https://repositorio.ufba.br/handle/ri/42781</link>
    <description>Título: Microgeia
Autor(es): Hadlich, Gisele Mara
Primeiro Orientador: Souza, Maria da Conceição Andrade
Abstract: Nests and eggs hold potent symbols of comfort and (re)birth, respectively. During 2020&#xD;
and 2021, due to the COVID-19 pandemic, I lived on a farm in Mutá, in Jaguaripe, Bahia.&#xD;
There, I remained in close contact with natural cycles through observation of birds building&#xD;
nests and the birth of chicks and raising chickens and ducks, awakening my sensitivity to my&#xD;
surroundings. At the same time, close deaths and the consumption of eggs during that period&#xD;
generated a tension between hope-life-birth and fear-death, leading to reflections on the&#xD;
(in)finitude of life. Courses taken during my undergraduate degree in Fine Arts at EBA/UFBA&#xD;
motivated me to conduct academic work on nests from the perspective of comfort and security,&#xD;
as well as eggs as (re)birth. Poetics related to these elements gradually developed, and over&#xD;
time, questions arose about this symbolism. Obtaining an old family meat grinder and choosing&#xD;
ceramics as an artistic medium revived family values. Based on concepts related to Luigi&#xD;
Pareyson's Aesthetics of Formativity, the search for 'forms' combining nests and eggs generated&#xD;
new reflections and 'memories' in ceramics, leading to the work MICROGEIA – the individual&#xD;
world, what each person carries with them. It also generated a work that directly engages with&#xD;
nests and the head, which holds memories throughout life: THE HAIR IS THE NEST OF THE&#xD;
HEAD, a performance motif in which I cut my hair as a sign of letting go.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Trabalho de Conclusão de Curso</description>
    <dc:date>2025-07-23T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://repositorio.ufba.br/handle/ri/41877">
    <title>Imagem-míope: uma poética abjeta sobre a pegação no Jardim de Alah</title>
    <link>https://repositorio.ufba.br/handle/ri/41877</link>
    <description>Título: Imagem-míope: uma poética abjeta sobre a pegação no Jardim de Alah
Autor(es): Barros, Matheus Borges
Primeiro Orientador: Gondim, Raoni Carvalho
Abstract: This memorial investigates dissident male sexuality, focusing on the expression of men who&#xD;
have sex with men (MSM) in contexts of non-commercial and occasional sexual practices, with&#xD;
an emphasis on Jardim de Alah beach in Salvador. Drawing from an autoethnographic approach,&#xD;
this artistic research explores the dynamics of concealment and visibility in these spaces, seeking&#xD;
to understand the aesthetic implications of their visual representation. Using scanography as a&#xD;
photographic apparatus/language, the project collects the material traces of these practices —&#xD;
such as used condoms and medication packaging — to analyze how these experiences can be&#xD;
translated into materiality and, consequently, aesthetic experience. Based on the concept of&#xD;
the abject-image coined by Matheus dos Santos (2013), this study investigates the relationships&#xD;
between image, desire, and fetish, revealing a tension between beauty and repulsion. It also&#xD;
proposes a reflection on how the abject and the residual, within the field of dissident sexuality,&#xD;
can emerge as subversive forms in the sensitive poetic construction of a myopic-image.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Trabalho de Conclusão de Curso</description>
    <dc:date>2025-02-10T00:00:00Z</dc:date>
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