https://repositorio.ufba.br/handle/ri/18800 2026-04-17T06:10:39Z 2026-04-17T06:10:39Z Oliveira, Maria Juliana Assis de https://repositorio.ufba.br/handle/ri/44114 2026-02-26T17:58:33Z 2025-12-12T00:00:00Z

Título: Fluxos do ser e a cena: trajetórias críticas de Hamlet no cinema Autor(es): Oliveira, Maria Juliana Assis de Primeiro Orientador: Ramos, Elizabeth Santos Abstract: This thesis examines the contemporary reinscriptions of Hamlet in cinema, investigating how different sociopolitical and cultural contexts reconfigure the Shakespearean text and its structures of meaning. It departs from the hypothesis that each adaptation constitutes a critical gesture toward the canon, functioning as a space of translation and displacement in which the past is reread through new sensibilities and regimes of image. Drawing on theoretical frameworks from adaptation studies, semiotics and intermediality, post-structuralism, and cultural and postcolonial studies, the research proposes a reading articulated on three levels—cultural system, visual and stylistic aspects, and each film’s position within the cinematographic polysystem—taking as its corpus Hamlet (Franco Zeffirelli, 1990), Hamlet 2000 (Michael Almereyda, 2000), and Hamlet/Horatio (Paul Warner, 2020). In Zeffirelli’s film, the tragic body and sensorial dimension of the mise-en-scène reinscribe the sacred and the forbidden, evoking an imagery of flesh and guilt; in Almereyda’s version, technological modernity transforms the prince into a subject mediated by screens and digital devices, revealing a crisis of interiority and presence; in Warner, the relationship between Hamlet and Horatio is reconfigured as a performance of memory and a queer experience, opening the narrative to new forms of affect and identity. The analysis shows that cinema not only translates Shakespeare but also thinks with him, establishing its own modes of reflection on subjectivity, time, and image. The adaptations reveal that the permanence of the text depends on its capacity to be continuously reinterpreted and to embrace new voices, gazes, and corporealities. Drawing on concepts such as différance and the crystal-image, the thesis argues that the filmic versions displace the boundaries between representation and experience, presence and absence, making visible the constitutive instability of the Shakespearean text. Thus, cinematic Hamlet emerges as a field of thought and reinvention, where memory, body, and gaze intertwine in the production of meaning. In this way, we are led to understand that the survival of Hamlet in cinema is a process of continuous translation that reaffirms its critical, aesthetic, and philosophical potency, turning cinema into a space for the reinscription of the tragic and the reinvention of the Shakespearean legacy. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese

2025-12-12T00:00:00Z Silva, Edinage Maria Carneiro da https://repositorio.ufba.br/handle/ri/43889 2026-01-27T14:22:12Z 2025-11-13T00:00:00Z

Título: Do Quarto de despejo aos Becos da memória: espaços de dor e resistência em Carolina Maria de Jesus e Conceição Evaristo Autor(es): Silva, Edinage Maria Carneiro da Primeiro Orientador: Muniz, Márcio Ricardo Coelho Abstract: Our objective is a comparative study between Quarto de Despejo: diário de uma favelada (1960), by Carolina Maria de Jesus and Becos da Memória (2006), by Conceição Evaristo, two black Brazilian writers. This study examines the representations of slum, a common space in both literary books. We intend to understand how slum emerges as a space of affection or disaffection and belonging or not belonging for people who live there. There is a process of slum extinction in progress in Becos da Memória while there is as an insistent narrator’s desire to leave this space in Quarto de Despejo. We will try to understand how this occurs, its reasons, and its consequences for characters’ lives. In the case of Carolina de Jesus, we will extend our study to Casa de Alvenaria (1961-2021), because this book contains her history after she left slum. It was a deep and repeated desire confessed by the writer-narrator throughout her speech in Quarto de Despejo. We will also bring to light her experience in privileged spaces of the city, as the famous writer she would become with the publication of her first Diary. The concept of "escrevivência" conceived by Conceição Evaristo will help our reading, because it defends lived experience as a starting point for literature produced by black women, as it also reaches the collective experience of black people. Therefore, we will also observe how writing is used by these women as an instrument of resistance and confrontation everyday obstacles. Their texts denounce violence and negligence not only against themselves but also the black and poor populations that live in slums. Our discussion will dialogue with Humanist Geography studies, which, based on concepts such as space and place, topophilia, and topophobia, they propose an approach to people's relationships with lived space. Studies about favelas produced by subjects such as Architecture and Urban Planning and Sociology will be accessed and they will help our reflection about slum as a space still seen through the lens of prejudice and discrimination. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese

2025-11-13T00:00:00Z Marcelo, Ana Sayonara Fagundes Britto https://repositorio.ufba.br/handle/ri/43830 2026-01-20T15:00:33Z 2025-11-10T00:00:00Z

Título: Traços fragmentados de Euclides Neto – um estudo dos relatos: 64: um prefeito, a revolução e os jumentos e Trilhas da reforma agrária. Autor(es): Marcelo, Ana Sayonara Fagundes Britto Primeiro Orientador: Rossoni, Igor Abstract: The writer Euclides José Teixeira Neto (1925-2000), or simply Euclides Neto, as the author signs his books, articles, and documents, lived in southern Bahia and represented the region in literature and journalistic texts. Agrarian reform and the exploitative relationship between rural workers and cocoa large landowners are the theme of novels, short stories, chronicles, soap operas, and reports. Thirteen books were published in 2014 in a new edition, which allowed readers greater access to the work, thus expanding its reception. Among them are two reports, 64: A mayor, the revolution, and the donkeys (1983) and Trails of agrarian reform (1998). In them, the writer, jurist, and public administrator narrates his career in politics, his experiences as mayor of the municipality of Ipiaú, in southern Bahia, between 1963 and 1967 (during the military dictatorship in Brazil), and as secretary of agrarian reform between 1987 and 1989 (during the redemocratization of the country). The main objective is to investigate the authorial stance of Euclides Neto, that is expressed in the two aforementioned accounts, considering the thematic choices, discursive resources, photographs, documents, and journalistic articles that comprise them, as well as the impact of these elements on the construction of his self-image in the production of other works and cultural pieces. It was found in the reports, the corpus of the research, that when narrating his experiences in public office, Euclides Neto creates for himself an image of an ideal public manager, a defender of probity in public service, positioning himself alongside the underprivileged, the unemployed, and rural workers. This image reverberates in contemporary times in new cultural creations, such as documentaries, websites, podcasts, and radio soap operas. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese

2025-11-10T00:00:00Z Amorim, Ramon de Santana Borges de https://repositorio.ufba.br/handle/ri/43808 2026-03-05T11:59:44Z 2025-07-21T00:00:00Z

Título: Da “literatura de urgência” às narrativas indetectáveis: representações sobre HIV/aids no Brasil Autor(es): Amorim, Ramon de Santana Borges de Primeiro Orientador: Azevedo, Luciene Almeida de Abstract: This dissertation analyzes the presence of HIV/AIDS as a theme in Brazilian narratives. Through an extensive bibliographic review, it investigates how marginalized groups have been represented in works that address the subject—particularly through the ways in which female characters, Black individuals, homosexuals, and other subjects appear in the narratives of various authors who, in some way, have explored this theme in national literary productions since the emergence of the epidemic at the end of the last century. The theoretical framework includes key contributions from Susan Sontag (1989), with her reflections on the metaphors generated in and by discourses about the epidemic; Sejo Carrascosa (2022) and the devaluation of bodies through the lens of hegemonic masculinity; Eduardo Jardim (2019), with his overview of the epidemic; Italo Moriconi (2014; 2020) and Marcelo Secron Bessa (1997; 2002), with their essential discussions on literature that addresses HIV/AIDS; Larissa Pelúcio and Richard Miskolci (2009), in the debate on the re-pathologization of dissident sexualities; Gayatri Chakravorty Spivak (2010) and Regina Dalcastagnè (2012), with their reflections on the discursive and literary production of marginalized groups and their cultural value; Cristian Alberti (2020), with his concept of “virico-hegemonic discursivity”; and Alexandre de Nunes de Sousa (2016), with his contributions on how literature began to address HIV/AIDS following the advent of antiretroviral medications. The dissertation examines the representation (Hall, 2016) of the virus and the disease, considering discourses and imagery from both biomedical and behavioral spheres, in order to explore the intersections between these domains and their literary representations. A close relationship can be observed between the social representations of the virus and the disease and the ways in which the analyzed works address them—whether to challenge stereotypes or, at times, to reinforce them. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese

2025-07-21T00:00:00Z