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  <title>DSpace Coleção:</title>
  <link rel="alternate" href="https://repositorio.ufba.br/handle/ri/18791" />
  <subtitle />
  <id>https://repositorio.ufba.br/handle/ri/18791</id>
  <updated>2026-04-17T03:15:11Z</updated>
  <dc:date>2026-04-17T03:15:11Z</dc:date>
  <entry>
    <title>Música na pele: tramas sonoras nas vivências de músicos negros em Salvador na primeira metade do século XIX</title>
    <link rel="alternate" href="https://repositorio.ufba.br/handle/ri/43348" />
    <author>
      <name>Moreira, Marcele da Silva</name>
    </author>
    <id>https://repositorio.ufba.br/handle/ri/43348</id>
    <updated>2025-10-31T14:34:37Z</updated>
    <published>2025-07-31T00:00:00Z</published>
    <summary type="text">Título: Música na pele: tramas sonoras nas vivências de músicos negros em Salvador na primeira metade do século XIX
Autor(es): Moreira, Marcele da Silva
Primeiro Orientador: Parés, Luís Nicolau
Abstract: Several travelers who passed through Bahia left their impressions about the&#xD;
musicality marked by the presence of black musicians. The presence of blacks in&#xD;
music was not uncommon, but the sounds produced by the instruments played by&#xD;
these hands usually seemed strange to foreign ears. The sounds that permeated the&#xD;
daily life of the streets of the city of Salvador were commonly classified as noisy and&#xD;
deafening. From another perspective, in addition to travellers’ accounts, other&#xD;
documentary sources such as newspapers, reports, balance sheets, manuscripts,&#xD;
receipts, etc., indicate a prominent role of black musicians in the the craft of written&#xD;
music, reaching other spaces such as churches, theatres, dance-halls, and military&#xD;
regiments. Given this sound-labor panorama permeated by the presence of&#xD;
professional black musicians, the aim is to analyse the intersections in the&#xD;
sociorracial structure through the musical texture woven in the city of Salvador, in the&#xD;
first half of the 19th century, in order to understand how music was activated by&#xD;
these men in a context of subsistence, distinction, and social upward mobility.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Dissertação</summary>
    <dc:date>2025-07-31T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>O pensamento como figuração</title>
    <link rel="alternate" href="https://repositorio.ufba.br/handle/ri/37571" />
    <author>
      <name>Santos, Felipe Rocha Lima</name>
    </author>
    <id>https://repositorio.ufba.br/handle/ri/37571</id>
    <updated>2025-04-10T21:59:51Z</updated>
    <published>2010-12-07T00:00:00Z</published>
    <summary type="text">Título: O pensamento como figuração
Autor(es): Santos, Felipe Rocha Lima
Primeiro Orientador: Machado, Alexandre Noronha
Abstract: The main goal of this work is the understanding of thought as an essential condition for the use of language as a picture of reality according to the Tractatus Logico-Philosophicus. The picture theory, as is commonly known, is one of the central theses of Tractatus that seeks to describe what conditions are essential for that the language can represent the reality, i.e., to be possible talking truly or falsely of how things are. The essential conditions for that the picture occurs were initially identified as: (1) the bipolarity of the proposition; (2) all picture should have a structure; (3) all picture should have a form of representation; (4) all picture should have a picture relation; (5) all picture should have a logical form. For some interpreters of the Tractatus, there is no need for any other condition. However, others argue that there is another prerequisite for that the picture occurs, which is the thought as an intentional element.&#xD;
To investigate the requirement of thought as an essential condition of picturing, was performed the following research strategy: after the introduction, in the second chapter, the general aspects of Tractatus was presented, according to the traditional interpretation, enabling the reader a not problematic overview of the book. In the third chapter, were debated some aspects of the book that help the understanding of certain aspects of the central discussion of this dissertation. These discussed aspects were: (a) what are the objects, in the Tractatus; (b) what truth theory is presented in the book; (c) if there is or not a realism in the Tractatus. After examining these points, then, in the fourth chapter, were made the analysis of what should be the essential conditions to picture occurs in propositions.&#xD;
By analyzing the interpretations that argue that there is not an intentional element in the Tractatus and the contrary views, it concludes that the word "thought" is an ambiguous term and should be understood, depending on the context it is used, sometimes in a logical sense, sometimes in a psychological sense and sometimes as a psychological act, an act that performs the projection of reality in the proposition, therefore, an essential condition to the use of language as a picture of reality.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Dissertação</summary>
    <dc:date>2010-12-07T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>“Um jogo de gato e rato”: estudo sobre a vitimização de mulheres por estupro repetido</title>
    <link rel="alternate" href="https://repositorio.ufba.br/handle/ri/33798" />
    <author>
      <name>Teixeira, Emanuelle Fernandes</name>
    </author>
    <id>https://repositorio.ufba.br/handle/ri/33798</id>
    <updated>2026-01-05T15:52:46Z</updated>
    <published>2021-07-26T00:00:00Z</published>
    <summary type="text">Título: “Um jogo de gato e rato”: estudo sobre a vitimização de mulheres por estupro repetido
Autor(es): Teixeira, Emanuelle Fernandes
Abstract: The purpose of this research is to comprehend the process of victimization by repeated rape of women in Salvador city’s context, from the analysis of scenarios and interactions between victims and offenders. The fieldwork was conducted between 2014 and 2017, while working with a network of professionals that offer support to people experiencing sexual violence. The methodology adopted was of qualitative nature and the data collection was based on a semistructured interviews. In total, 20 interviews were conducted with women who were victims of repeated cases of rape perpetrated by known offenders. The major part of the sample suffered the violence more than one year prior to the interview, but remained exposed to the threat of violence for long periods of time. The interlocutors were relatives or lived as aggregates in the home of the aggressors. In this domestic scenario, the house was experienced as a hostile environment, a place where a routinisation of the predatory behaviour of the aggressor and of the victim’s resistance strategies. In the scope of primary victimization, the study addressed the psychological, physical and sexual violence. The psychological victimization was perceived as constant in the lives of the women, although the physical violence was more restricted to a specific time. The types of threats put forward by the aggressors helped to understand the procedural character of psychological victimization and its longitudinal effects. Thus, the repetition of the rape was interpreted by the victims under the notion of destiny, where the more serious marks do not have physical shapes, being conceptualised as a "wound in the soul”. With regards to institutional victimisation, there were situations indicating the lack of refuge for victims, from both public security agents and health professionals. However, the interlocutors identified in the “Serviço Viver”, a different model of victim care. In the public scope, the perpetrators pursued a line of action aimed at suppressing any suspicion of rape and the success of this strategy discredited the victim’s version. In this sense, the impact of tertiary victimization was perceived in the repercussions of rape on the family and other social circles of the victims. Finally, this research considers it necessary to strengthen the protection network for victims of sexual violence, especially rape, as well as a better integration between the agencies of this network and the improvement of intervention methodologies and techniques.
Tipo: Dissertação</summary>
    <dc:date>2021-07-26T00:00:00Z</dc:date>
  </entry>
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